博客來精選推薦Nizar Qabbani- Journal of an Indifferent Woman

Nizar Qabbani- Journal of an Indifferent Woman

Nizar Qabbani- Journal of an Indifferent Woman 評價

網友滿意度：

不論是在學生時期或開始工作後

我對語言一直都有難以言喻的嚮往~~

自英文的從國中啟蒙

能夠用其他語言的邏輯來思考事情

也是一件很有趣的一件事

跟一般人喜歡用吃吃喝喝出遊玩來打發時間

我更喜歡用書籍安靜的充實自己

所以特別跟大家推薦我目前在看的

Nizar Qabbani- Journal of an Indifferent Woman

非常好上手、條理分明

對於希望入門別太難的人很適合

而且這最大的成就感就是用新學的

語言查資料了XD

看自己key出之前完全不了解的文字或音

真的有滿滿的感動啊~~

希望推薦的這本書能夠讓大家都能

感受或得知識的喜悅!

一起讀書向前邁進吧!

博客來e-coupon傳送門

Nizar Qabbani- Journal of an Indifferent Woman

本週熱銷商品:

Dutch- A Comprehensive Grammar

EarwormsBerlitz Rapid Dutch Vol 1 [ Booklet + Audio CD]

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Nizar Qabbani is the most celebrated and popular poet in contemporary Arabic Literature. He remains one of the most prolific and influential Avant-guard poets of Modern Arabic Poetry. His writings constitute a School of thought, a movement, a trend, that produced a large number of followers across the Arab world who tried to imitate Nizar and adopt the path that he pioneered, but none earned the fame and prestige that Qabbani achieved. Nizar started his career writing about love, romance and romantic and erotic topics. These were fiery subjects and mostly taboo at the time. He was severely criticized by the conservative establishments, but this never deterred him. His goal was to expose the injustice imposed on women, to openly discuss love and passion without shame, and to free the Arab spirit from the years of bondage in the dungeons of past traditions. His poetry later evolved into the political arena, and he wrote the most moving and effective political poetry criticizing the then current Arab regimes and exposing their failures, complacency and ultimate defeat in facing the national responsibility that they were entrusted with.In his poetry, Nizar continued the theme of love poetry that was started by Omru’ al-Qays in Pre Islamic Arabia and then popularized by the two Umayyad poets: Jamil Bin Mu ‘ammar and ‘Umar Bin Abi Rabi ‘a. In his poetry, Nizar combined the elegance, transparency, sexuality, and piety of the three poets and brought poetry to the homes and dining tables of the millions in the Arab world who loved him and admired his poems. He wanted to make poetry like bread a daily nourishment available to every person who could read Arabic. On the other hand, when Nizar Qabbani wrote his political poetry, he was focused, critical, harsh, punitive, severe and unforgiving. He was bleeding for his nation and eulogizing its failures and defeats. When Nizar wrote about love, he dipped his plum in Jasmine and rose water. But when he wrote his political satire, he dipped his pen in blood. This book is not about sex and seduction. This book is an existential document written by an abused woman awaiting her execution. She knew that there is “No Exit,” yet she chose to overcome her fate and write. This is a surrealistic diary of a frustrated female pushed to her limits by the costumes, traditions, and beliefs of a rigid society that treats women as slaves and empowers men to rule over them. This nameless female, a modern Scheherazade, stood face to face against her assassin in her attempt to triumph over death by documenting her story, and consequently, the story of the millions of women who were sacrificed daily in the bedchamber of Shahrayar . However, the frustration, anger, despair and dejection of all these women is also evident and is shared by men at the end of the book as the “ men” admit their guilt and sin that has accompanied them since the “Age of Ignorance” in Pre-Islamic Arabia.

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